logo-standard logo-retina
  • Mt. Siniolchun and the Zemu Glacier, Sikkim


    Vintage collodion paper print

    24 x 19 cm

  • Broad Peak al tramonto dalla morena mediana del Godwin-AustenĀ 

    August 1909

    Vintage gelatine silver print

    29.6 x 23.5 cm

Vittorio Sella (Biella, August 20, 1859 – Biella, August 12, 1943) was an Italian mountaineer and photographer.

His photos of the mountains are still considered among the finest ever made. Born in Biella in 1859 by industrialist Giuseppe Venanzio Sella and Clementina Mosca Riatel, he inherited the passion for the mountain from his uncle Quintino Sella, founder of the Italian Alpine Club. He completed several significant ascents in the Alps, including the first winter of the Matterhorn and Monte Rosa, and the first winter traverse of Mont Blanc. He participated in several expeditions abroad, including: three expeditions to the Caucasus, where there is still a peak that bears his name, the expedition to Mount Sant’Elias in Alaska in 1897, the expedition to Mount Ruwenzori in Uganda’s 1906, and the expedition to K2 in 1909. In these last three shipments was a companion of Luigi Amedeo of Savoy-Aosta, Duke of Abruzzi. Vittorio Sella completed his last attempt the Matterhorn at the age of 76 years: on this occasion had to retreat after an accident involving one of his guides. He died in Biella in 1943. His photo collection is now managed by the Fondazione Sella.
The high quality of the photos by Vittorio Sella is in part due to its use of photographic plates of 30×40 cm, despite the difficulties due to the transportation of its equipment, heavy and fragile, to remote locations. In order to transport the slabs in safety, he had to develop special equipment, including saddle bags and backpacks modified. His photographs were widely shown, both in the press and in exhibitions and received many plaudits; Ansel Adams, who saw 31 pictures in an exhibition that Sella had the Sierra Club America, said that it inspired “a sense of religious wonder”. Many of his photographs depicted mountains having no previous representations, and thus have both artistic and historical value. For example, were used to measure the retreat of the glaciers of the Ruwenzori.

(Translated from: it.wikipedia.org).